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Hello and Goodbye

​你好再見

August 2020, performance art, 15 minutes

中壢地埤聚場/攝影:許志綱 (Woju)/文字整理:柯懿芳、黃志華

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In a soon-to-be bulldozed area, the belongings of the owners were almost moved away. We entered these abandoned spaces, tracing their time and stories. Through the guidance of the performer as the ghost of the land, wandering around the room, people see the spaces through a silent and melancholic lens. At the end of the performance, we bid farewell to these houses and see this first encounter as the last memory of the land.

Act 1: "Absent Presence" (Person)

The performer points out the absent presence of certain characters (the unknown painter of a painting, a recent graduate, the local land god, and the kitchen god), which leads into an exploration of events happening in this area.

Act 2: "Lost and Found" (Object)

Objects found in the area are displayed in the room, and the performer informs the audience that these items will be auctioned off today.

Act 3: "Limited Landscape" (Scene)

When the audience enters the performance area, they will see ice bricks arranged on the ground. The performer uses fishing lines to cut the bricks into smaller pieces, representing the way in which land development plans divide up the land. As the ice bricks melt in the hot sun, they become water, which, together with the soil, forms the unique landscape of Taoyuan's ponds. However, as the water evaporates, the piece tries to convey the idea that as urban expansion occurs, certain elements of the city gradually disappear.

在一片即將被剷平的土地上,居民的所有物品幾乎都已經搬走。我們進入這些被遺棄的空間,追溯它們的歷史和故事。通過表演者作為土地的幽靈主人的引導,在房間裡遊蕩,人們以沉靜而憂鬱的視角看待這些空間。表演結束時,我們向這些房屋告別,並將這次相遇視為對土地的最後記憶。

 

Act 1. 在場缺席(人)

表演者點出現場缺席的角色(無名畫的作者、某年的應屆畢業生、土地公、灶神)帶出這片土地正在發生的事件。

 

Act 2. 失物招領(物)

房間陳列出在這附近所蒐集到的物件,表演者告知觀眾這些物件即將在今日被拍賣出去。 

Act 3. 限時地景(景)

當參與民眾進入表演場域,即可見陳列在地上的冰塊磚。表演者利用釣魚線將土磚越切越細,代表土地開發冷冰冰的計畫線將土地劃分殆盡。冰磚隨著時間在烈日下將漸漸成為水,融化的水與泥土所形塑的地形,構成了桃園珍貴的地景埤塘,而水又漸漸蒸發,試圖呈現因都市擴張,城市在開發的過程中漸漸逝去的東西。

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